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Rob Williams's blog

First Annual Vermont Gear Swap & Sale to Benefit Irene Cleanup

Mon, 04/09/2012 - 8:29am

The first annual Vermont Gear Swap & Sale will be held at the West Monitor Barn in Richmond on Saturday, May 5 (Green Up Day!), from 10am-6pm.

Local and national outdoor companies will provide discounted gear, apparel and other equipment. 20% of all sales will benefit much needed Irene cleanup conducted by the Vermont Youth Conservation Corps and the various charitable efforts of the Burlington Sunrise Rotary Club.

 If you’d like to sell or donate your gear, please use the “Sell My Gear” page to create a label, which you should print and affix to the gear that you’re selling. Be sure to read over the “Gear Guidelines” for notes on types of gear that can be sold and the condition guidelines. Then, bring your gear to the Barn at the designated drop-off times.

Aside from being a great way to score deals on gear while benefiting the VYCC and Rotary, the Swap will also double as a celebration of spring! Bring your family and friends as there will be food & music!

Hunger Games: Vermont As Mockingjay

Tue, 04/03/2012 - 8:06am
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Let's be clear: Suzanne Collins' 3 volume "Hunger Games" trilogy is among the most disturbing young adult fiction ever to occupy elementary school library shelves. And?! "Hunger Games" raises more provocative questions about the nature of the human condition at this particular moment in world history than any fiction I've read in a long time. And yes, I am including Harry Potter, the Dragon Tattoo series, and Unbroken in the mix.

I first discovered Collins' "Hunger Games" books 2 years ago, when my daughter's 5th grade teacher (a truly gifted educator we'll call "G") emailed Kate and me to say that Anneka was bringing home a book called "The Hunger Games." "I really recommend that you read this book," G suggested. "It is eye-opening, and contains some mature themes and disturbing scenes."

Agreed. Always good to know what stories your kids are putting into their heads.

So. Let's see. Teens killing other teens in a nationally televised gladiatorial-like spectacle/pageant for the forced amusement of the oppressed masses and pampered few in a fictional dystopan future? Check. That summary alone is enough to turn many readers' stomachs - why would anyone subject themselves to such gratuitously disturbing storytelling, especially (as one friend told me) when the present is troubling enough?

And yet, "Hunger Games" is about so much more. Collins' fictional world of Panem ("bread"...and circus?) is a world of kleptocracy, in which the few denizens of the Capitol (ruled over by Donald Sutherland's softly sinister President Snow) live in luxury at the expense of the outlying twelve districts, where food and energy are scarce, basic needs are barely met, and Capitol "Peacekeepers" (Collins is clearly an Orwell fan) control latent rebellion through fear, force, and the annual Reaping, which harvests potentially rebellious two children from each district by lottery to compete in "The Hunger Games" - kiddie blood sport broadcast repeatedly on ubiquitous screens strategically stationed all over Panem. "Happy Hunger Games," says Capitol poster gal and shiny happy publicist Effie Trinkett, "and may the odds be ever in your favor."

Charismatic young actress Jennifer Lawrence plays mine daughter-turned-hunter Katniss Everdeen of District 12 (Appalachian country - her father was killed in a Seam explosion), who courageously volunteers to replace her unluckily chosen younger sister Prim as a "tribute" to compete in the "Hunger Games." Spirited away on a high speed tram, Katniss travels to the Capitol to train and then compete in the high-tech arena, while struggling with friendship (two young men - Peeta and Gale - are in play here), loyalty, and survival itself. Mentored by a drunken former Games winner named Haymitch (Woody Harrelson, doing his thing) and coached by a sympathetic fashion designer named Cinna (a surprisingly good Lenny Kravitz), Katniss emerges by Games' end as an unlikely heroine - the Mockingjay - of what may grow into a nascent rebellion against Capitol authority (read book #2 - "Catching Fire" - for more).

The movie is fantastic, trading Collins' "first person" book narration for a quick-moving plot and surprisingly sympathetic characters. Watching Katniss and Peeta emerge as shrewd, savvy, strategic and ultimately compassionate dissidents who manage to successfully short-circuit the Games while saving their own lives is inspiring. Kids killing kids is disturbing, but even more so is the recognition among astute observers that the spectacle of the Hunger Games - adult viewers, fat and happy, who immerse themselves in the twists of plot, turns of character, corporate sponsors, smarmy silver-tongued announcers (thanks, Stanley Tucci) and bets on the bloody outcome - is not too far off from the way corporate commercial media events - so-called "reality TV shows," sporting spectacles, and yes, political campaigns - function as "bread and circus" for the screen-saturated masses in our own time.

But "Hunger Games" is about a dystopian future, right? If you say so. But, in a world where most of us play the role of screen-soaked spectators watching climate change and Peak Oil debates point to our civilization's emerging 21st century need to "power down," and US-based corporate and political elites ramp up their global geostrategic conflict for the world's remaining fossil fuel energy and natural resource reserves, "Hunger Games" reminds us that survival skills - physical fitness, emotional resilience, intellectual toughness, and collaboration - will matter more and more moving forward. Not just for our kids, but for us all.

And, as the US of Empire continues its lumbering steps towards collapse, Vermont stands uniquely poised to be the Mockingjay, those who lead us, by example, towards a more compassionate and humane decentralized future. “Happy Hunger Games, and may the odds be ever in your favor,” Vermont.

The Mindful Carnivore: An Interview with VT writer Tovar Cerulli

Wed, 03/28/2012 - 12:59pm

Mindful Carnivore author Tovar Cerulli will be speaking at the Waitsfield public library on Monday, April 2 at 6:30 pm. We interviewed him about his own personal food-focused journey, and his new book.

Q. You went from a practicing vegetarian to being a "mindful carnivore," which is the title of your new book. What do you mean by "mindful?"

A. People have used the phrase "mindful eating" to mean a number of things. What I mean is eating with awareness of where our food comes from and the impacts it has. I mean something similar to what Thich Nhat Hanh means when he writes about mindfulness and "interbeing" -- being aware of the complex interconnections and relationships present in everything we do, see, touch, feel, and eat.

Q. How do you respond to food critics who say that meat production is a wasteful use of our resources on a finite planet, that we humans should eat lower on the food chain?

A. In part, I agree with them. The systems that produce much of the world's meat supply are, in fact, ecologically destructive and wasteful, and we Americans, on average, eat far more meat than is necessary or healthy. But those systems and habits are not the only options. As many farmers and ranchers -- and writers like Joel Salatin and Nicolette Hahn Niman -- have shown, domesticated animals can be raised in ways that are not only sustainable but that nourish the soil and support ecological diversity.

Q. Vegetarians become vegetarians for health-related or philosophical reasons. Can you briefly tell us about your journey to vegetarianism, and how you found your way back to meat?

A. My first step toward vegetarianism was a simple reduction of meat intake, based on learning that too much meat is unhealthy. The more decisive steps, of going strictly vegetarian and then vegan, were rooted in ethical and ecological concerns: I did not want to harm animals or the planet. Late in my decade as a vegan, though, I began to recognize that agriculture also has impacts on natural systems and animals, from the destruction of forest and prairie habitats for crop fields to the killing of woodchucks, deer, and other creatures to reduce crop damage. That recognition came as a rude awakening. It didn't change my diet, but it did soften the edges of my rigid attitudes. The actual shift back to eating yogurt and eggs, and then local chicken and wild fish and eventually venison, came as a result of health concerns. My energy was low, my immune system wasn't up to snuff, and both my wife and my doctor -- a Buddhist naturopath -- suggested that a dietary shift might help. It did.

Q. We're having some discussions here in Mad River Valley about creating a local abattoir to re-localize meat processing, as many of our local meat producers (including our own Vermont Yak Company here in Waitsfield) are forced to move our animals out of the Valley to find facilities process them. What are your thoughts on domesticated animals raised for meat, and on slaughterhouses, given your "mindful carnivore" focus?

A. I think that raising animals locally, in ways that are both humane and ecologically sound, is a good thing. As someone who has explored hunting far more than animal husbandry, I don't know a lot about the different approaches to slaughtering domestic animals. From what I've read and heard, though, I understand that there are plenty of ways to minimize animal stress, fear, and suffering. It seems to me that re-localizing meat processing could be a real improvement, for animals and local producers alike.

Q. What advice can you give for omnivores who want to become more "mindful"consumers of meat?

A. If people want to and have the opportunity to engage firsthand -- by raising their own animals, hunting, or whatever -- that's great. For most of us, though, it's more practical to seek out meat that has been responsibly raised. There are a lot of information resources out there on "good meat," from books and websites to local farms and farmers' markets. Visiting a local producer is a great way to learn more, and supporting local farms and CSAs is important. Of course, finding and acting on information requires time. And good, local meat often costs more. If we want to make "mindful" meat consumption more accessible, I think it's also important to put pressure on larger-scale producers to improve their practices.

Q. We have a thriving Localvore movement in Mad River Valley. How do you see your work interfacing with the work of the Localvore movement?

A. In the book, I use my personal story -- and the larger historical, cultural, and ecological stories of which my narrative is one small part -- to ask a lot of questions about food. I think those questions resonate deeply with people involved in the localvore movement, regardless of whether they have ever been vegetarian or have ever hunted.

Q. Is Vermont a more open community for practicing "mindful carnivore" behavior than other places? What's your sense?

A. I don't really know. It seems to me that there are a lot of places that consider themselves hotbeds of localvorism and mindful meat-eating. Here in New England, for instance, I know there's a lot going on in parts of Massachusetts, New Hampshire, and Maine. From what I've heard anecdotally, there's also a lot going on in parts of the Midwest and along the West Coast. Here in Vermont, I think most of us -- omnivores and vegetarians, hunters and non-hunters, lifelong farmers and ex-urbanites -- share some basic values about having a healthy, working landscape that feeds us. I think those common values do contribute to an overall "live and let live" attitude. Do those common values help foster conversations and opportunities for "mindful carnivory"? Yes, I think so.

Retirement or Failure by George Harvey

Wed, 02/15/2012 - 11:25am

The most important question is not whether Vermont Yankee will close; it will certainly do that. The most important question is not even when it will close. The single, overwhelmingly important question is how it will close.

There are two ways a power plant can shut down. One is planned retirement. The other is unplanned failure. Which way depends to some extent on how it is run.

If its operating mode is run-to-retirement, it has a chance of retiring as gracefully as it can. When a plant is retired, the employees, community, and other stakeholders can be prepared for the change.

When a plant is run to failure, however, the specifics of shutting down are almost entirely unpredictable. We know the employees will unexpectedly get pink slips as the plant will go offline. But since we cannot know in advance why a nuclear power plant will fail, we have no way of predicting the economic, environmental, or human impact.

Looking at the history of nuclear power in the United States, we can see one striking fact: Nuclear power plants are almost never run to retirement. Those that have gone offline have nearly all done so for operational or economic reasons - they ran until they failed.

Utilities that ask to keep plants running beyond their designed service life have never had a license renewal application denied. The Nuclear Regulatory Commission and the utilities seem to agree on one essential fact: as long as it is economically feasible for a plant to operate, it does.

In other words, almost all of our 104 commercial nuclear power plants are operating in run-to-failure mode.

In the old days, the Atomic Energy Commission promised there was only a 1 in 10,000 chance of an event that would damage the core of a given reactor in any given year. There was an assumption made in this calculation, which was that the reactor was run as it was designed to be run. But the design basis assumes a reactor would retire, and not be run until it failed. The chance of core-damaging failure has never been recalculated based on a run-to-failure operating mode. If it were, we can be sure the number would not be 1 in 10,000.

Vermont Yankee is already operating outside its design basis, producing more power than its designers ever intended. Now, continuing operation would compound the problem, as it continues to be overloaded after the end of its intended life.

We can be sure of just one thing. If we persist in operating in a run-to-failure mode, the probability of failure is 100%.

 

The Girl With The Dragon Tattoo - Stieg Larsson Goes Hollywood

Thu, 02/02/2012 - 11:28am
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Who would possibly want to make a movie about a rogue journalist-turned-murder investigator and a bad-ass goth chick/computer hacker/rape victim who extracts revenge on her assailant by carving epithets into his chest?

If the movie was to be based on Stieg Larsson's wildly popular global smash novel "The Girl With The Dragon Tattoo," then the answer is "Hollywood," of course. And interestingly, director David Fincher's version of "Dragon Tattoo" is (already) version #2 of Larsson's story to appear on the silver screen (a capable Swedish rendition of the entire trilogy having already been completed in Norse country and released globally on dvd).

Fincher kicks off the film with a bang, featuring an opening credit sequence that plays like James Bond-meets-David Cronenberg, with an inspired interpretation of Led Zeppelin's "Immigrant Song" (is that really Trent Reznor helming the soundtrack?) as sonic backdrop. In short order, we meet beleaguered "Millennium" magazine news man Mikael Blomkvist (a twitchy Daniel Craig) and black-clad hacker Lisbeth Salander (Rooney Mara, who is mesmerizing), whose paths cross after a wealthy retired Swedish industrialist named Vanger (Christopher Plummer) hires Blomkvist to come camp out on his family island compound - in weather that is most foul, frigid, blustery, raw, and white - and investigate a missing family member whose forty year trail has gone cold. Salander, meanwhile, must contend with a Swedish state wardservant-cum-sexual predator who uses his control over her finances to extract perverse sexual favors. How Blomkvist and Salander's story plays out, I won't spoil for you here - no surprises, if you'd read the book.

Larsson tackles big themes in his story: privacy, family secrets, abusive corporate power (fascism, even), patriarchal society's violence against women (and an anti-heroine's revenge), the corruption of the state. Fincher's Hollywood script geekily garners heaps more product placement (Apple, Google, Wikipedia) and hews more closely to Larsson's novel than the Swedish film version, weaving skillfully between Blomkvist and Salander's unfolding stories. While the film doesn't probe into the thoughts and motivations of its characters, it does deliver a compelling story - readers of "Dragon Tattoo" will no doubt be presently surprised.

9th Annual Mountain Top Film Festival, January 13th

Fri, 12/30/2011 - 11:47am
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There are so many areas of struggle, inequality and injustice but there is also a growing global community that is standing up to power. Be inspired by Sampat Pal Devin from "Pink Saris" who stands up for herself and others in India, or learn from Harry Belafonte how to never give up hope for a more just world. Travel inside a Vermont prison and learn how incarceration effects our families and communities, or go deep into the jungle of the Congo to find out where the metals for your electronics come from. Fight with the protesters in Iran or live through the story of a Miral, a Palestinian woman who grows up in a country torn apart by conflict.

The MountainTop Film Festival is proud to present you these films but ultimately it is YOU who takes their message forward. Discuss with your fellow viewers, take action where you can and help us reach out to others.

In honor of Martin Luther King Jr., the 9th annual MountainTop Film Festival will once again offer a diverse program of documentary and dramatic films, addressing social and environmental issues from around the world. Opening Night will feature a Vermont film -Little House in The Big House- about incarcerated women and the house they built in prison. Also highlighting the opening night are films about the civil rights struggle Black Power Mixtape and the acclaimed biography of singer/activist Harry Belafonte, Sing Your Song.

From 6-8pm there will be an opening reception with live music by Damian Paone & Friends. Besides the screenings of films from all over the world, the festival is known to provide a forum for discussion, direct action and an opportunity to meet filmmakers, authors, pundits and activists. This year's guests will include Filmmakers Kim Brittenham (Little House in the Big House), Sam Cullman (If A Tree Falls), Eugene Jarecki (Why We Fight, Reagan, Move your Money, and presenting a new work in progress) and a very special Q&A via Skype with Harry Belafonte. Also present at the festival will be Tracy Tresher and Larry Bissonette - two men with autism who traveled the world with their film Wretches & Jabberers.

The festival program is comprised of 13 films from Denmark, Germany, Sweden, India, UK, Iran and the US. The MountainTop Film Festival strives to use film to tell human stories that have the power to move and educate. MountainTop offers an educational outreach program to area high schools and makes free daytime screenings available for interested school groups. Students with valid ID get to attend all films at the festival for free. This year the festival is proud to host 8 students from Burlington College who will immerse themselves in the festival for four days to see films, speak with audiences and filmmakers as well as contribute short films and slideshows for an 'Occupy Cinema' action during which they will project their material onto public buildings around the Mad River Valley.

Date: 1/13/2012

Location: Big Picture Theater, Waitsfield

Admission: $8.00 Adults, $6.00 Students/Seniors

Website: http://www.mountaintopfilmfestival.com

For More Information: For full schedule of screenings please visit the website. Call 802-496-8994

The Commons: Beyond Occupy and Back to Community

Wed, 11/16/2011 - 8:57am
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This inspired blog post from an #OccupyPhilly resident connects the dots between the #OccupyWallStreet movement and the idea of the Commons that we've been championing here are Vermont Commons for close to six years. Give it a read - and share your wisdom. And to get you in the mood - here's a photo of the #OccuptMontreal encampment. Still standing, as far as I know.

Outside the Circle: Occupation in Philly, Day 20 (October 25)
Commons Not Capitalism

This post about “day 20” is less about a specific day and more about the blossoming over the days here of a commons. A commons against capitalism, and if it is allowed to grow, perhaps it will someday become a commons beyond capitalism.

This morning, I awoke to news that another newly formed commons, across this continent—the occupation in Oakland, California—was brutally raided, rousted, and destroyed by riot police, who then arrested some ninety people. Those in power in Oakland first isolated that part of the city, to prevent others from coming to the aid of this two-week-old encampment. One of the first acts of the Oakland occupation on city hall square, called Frank Ogala Plaza, was to rename the space Oscar Grant Plaza, in memory and honor of the young black Oaklander who was murdered in cold blood by police on New Year’s over two years ago. The occupiers plan to regroup today at 4 p.m. at the Oakland Library, but their embryonic commons of a general assembly and working groups, makeshift homes, self-managed food and health care, music and education, safety and new ideas like a service-workers’ union has, for the moment, been squashed by those who want to hold power close and are scared by the sight of people trying, with all the contradictions and difficulties it entails, to spread power among everyone, and use that shared power to envision our own cities, to sustain our lives in common. [Update: the 4 p.m. reconvergence in Oakland turned into a massive peaceful march of some 2,000 people, to which Oakland Police Department is responding, as I post this, with clouds of teargas. All eyes on (re)occupy oakland, and bravery in the face of brutality.]

Like our Occupy Philly experiment did two weeks or so ago from the city of Philadelphia, the joyfully occupied Oaklanders got a letter from the city of Oakland, a week or so ago, claiming to be concerned about the occupiers health and safety. As the facilitators of the Oakland general assembly read the letter out loud, cries of “Burn it! Burn it!” rang out, and then some people grabbed the letter, set it on fire, and the assembled community cheered, because even after a week, it seems, these occupiers already knew that they themselves, not the city and its riot police or capitalism and its corporations, were the ones concerned about and acting on their own health and safety.

Two days ago, on the other side of this North American continent, in Philly, I participated in one of the most inspiring moments—among many—at our occupation: a teach-in/workshop called “Private, Public, Commons” organized by Dave, Layne, and Sarah. It was held in the scrappy open-air school of life we’re forging on Dilworth Plaza, a dreary and deadening concrete mess of an architectural nightmare that people (us & others) have transformed into a space of life, for free. (We’ve yet to rename our plaza, but sections of the encampment have self-designated spaces as, for example, Solidarity Avenue for a fire-safety lane between tents, or the City Hall Row Houses for the pallet village now housing the formerly homless beneath the marble edifice of city government.)

Let me step back here from stories of Oakland, which has my utmost solidarity today for what’s been temporarily destroyed, and this tale from Philly, which has my utmost love today for what’s being currently created, to fill in my notion of “commons.” A commons is a simple idea really, and something that humans have done throughout our existence, even before we had languages, even before we made up the word “commons” in multiples languages. A commons is something held by people in common, to be used, shared, and enjoyed. It can be a physical space, like a field for grazing or planting, or a library or park; it can be knowledge, like the ideas within our libraries or free and open-source software; it can be those things that sustain all of life, like the air and water; it can be some of the things that make us most human, such as dignity, love, caring, art, and our imagination.

What all commons share is, precisely, a deep sense of sharing, in which our usage does not diminish the commons but rather increases its “worth” for everyone, and its worth is determined not by money or its exchange value but instead by how useful it is to everyone. We thus have a shared interest in sustaining our commons. For instance, we borrow and return books to our libraries because we’re glad for their use, when desired, and happy that others can later read a book we also enjoyed, and happy too that there are plenty of books, always, for us to borrow over the long haul. And our use, enjoyment, and sharing doesn’t have to be equal but rather can meet each of our needs/desires within the parameters we’ve set to sustain our commons overall. So with the library example, I might want to borrow one book for two weeks, you might want to speed read four books into two days, and since there are plenty of books to go around, it’s all good!

But besides “commons” as what we hold in common to use, share, and enjoy, there is the implicit and essential corollary: a commons is inherently something that is self-managed and self-governed by everyone who uses, shares, and enjoys those commons. If we share a field to graze our individual sheep on, each and everyone of us knows that if one of us overgrazes their animals, the field won’t sustain any of our sheep, so we will need to figure out informal and/or formal ways to voluntarily manage our usage, sharing, and enjoyment such that the commons is sustainable and yet still commonly useful, shareable, and enjoyable. Much more than management, though, a commons needs to be self-governed, or decided on through forms of direct democracy and/or collective decision-making; again, implicit to the notion of something held in common is that we also all commonly have the ability to determine use, sharing, and enjoyment, and there parameters around that.

At present, we still have some commons. But most of what we might think as commons is distorted into what is called “public.” Public means that there is some entity—a group of people, a government, a police force, etc.—that gets to have control and final say over the use, enjoyment, and sharing of that space. So a “public park” or “public library,” while certainly wonderful spaces in many ways, are ultimately shaped and determined by people who may not even use, enjoy, or share the space. A park or library commission can decide to kick certain people out or not allow a bunch of behaviors, without having to worry about whether most or all of the people using those spaces agree. Increasingly, our “public” places are being turned into “private-public” partnerships, such as the renovation plans for our occupation site. The city of Philly has decided to offer its public plaza to a private developer under a thirty-year lease. The city already circumscribes behaviors, activities, and events on the plaza, not permitting things that many people would enjoy, use, and share, if they were to determine this space themselves. Soon, under this private-public partnership, they won’t even be the veneer of a representative process to determine usage, enjoyment, and sharing; a well-paid developer will get to decide.

Contrast that to Occupy Philly, where occupiers have been working like busy bees to decide together—via our general assembly, working groups, and various autonomous forms of self-organization—ways to truly hold this space in common for a rich variety of use, enjoyment, and sharing, from three free meals a day for hundreds, to free movies and arts festivals, to people-powered media and self-organized safety, and on and on. Today, for instance, two folks created a bicycle repair area by simply bringing a big cardboard sign, spreading out books and zines on bike maintenance along with a variety of bike tools on the ground, and set about working. Another group of folks have been offering showers to anyone camping at our occupation; each person gets 15 minutes, a fresh towel, and soap/shampoo, and it doesn’t matter whether you have a home to go to or were homeless before finding a tent at Occupy Philly. There’s a free “people’s law school” that anyone can attend, and a self-managed free library, where tonight other folks (with the library’s OK) spread out big sheets of cloth to paint banners, with passersby tossing out slogans.

We’re daily creating multiple mini-commons, linked into one big occupation-as-commons—all of which, even when it falters or has to grapple with the issues of such an open space, offers a qualitatively deeper sense of social fabric, sociability, and humanly scaled community, in person. As I mentioned in a piece written two days ago, this experiment in a commons has elicited, time and time again, the comment from its communal creators and users: “I haven’t felt this alive in years.”

Let’s go back to our classroom on “Private, Public, Commons” of two days ago, in the sunken, circular, empty “fountain” on the plaza’s southwest corner. Perched on the couple rows of steps leading into the gray-concrete circle, which smells slightly of piss, we heard about the campaign here in Philly to save libraries as a commons, and experiments in other times/places around the world that made their own commons. More and more people stopped, listened, and then joined in, as we turned toward a marvelous visioning session. Our teach-in facilitators had brought along four big sheets of paper, each with a category at the top: “Transit,” “Libraries/Rec Centers,” “Schools/Universities,” and “Vacant Land,” and a bunch of markers. They asked us to split into what became people’s city planning brainstorm groups, to imagine our own commons in relation to these four categories, without worrying about contemporary constraints on our ideas. Without hesitation, four small groups scattered around this barren spot, with the colorful tents of our occupation dotting the landscape behind us, to sketch out what seemed, at first, like flights of fancy. Rarely have I seen people so willing, so ready, to suggest a new world, rather than getting stuck in complaining about the present or letting their visions be hobbled by the present. Our big yellow sheets filled up with new commons that both pointed beyond the status quo and yet seemed, when we presented them to each other, completely doable—especially given all we’re already doing—freely, voluntarily, gladly—to “renovate” Dilworth Plaza with our occupation.

The contrast between “their world” and “our world” couldn’t have been sharper this day. A small, elite, unaccountable group in Philly, as I mentioned above, are about to engage in a $50 million dollar, give or take, revamping of Dilworth Plaza, with construction to begin soon. Many at our occupation are starting to ramp up our opposition to this expensive renovation, with possible ideas like “You can have your fucking playground, when you fix our city.” A centerpiece of this urban “renewal” project—and no doubt the most expensive element—is a giant interactive fountain that turns into an ice rink in the winter. As fountain, it features colored-steam that in three colors, follows the subway lines beneath it, and leaps into action when a train passes underground. Here, imagining a people-centered city amid the 1970s-ish urban “renewal” of City Hall plaza, the “Vacant Lot” working group offered up the idea of filling the dilapidated empty fountain we were sitting in with a permaculture-inspired fish-farming pond as part of integrating free, plentiful food into our city, and another person added that we could freeze the pond in the winter for our own people’s (free) ice rink, perhaps using rainwater runoff as our source in both cases.

The ideas came so fast, so furious, so strong and inventive! Our four categories suddenly seemed to overlap, converge, and become even more exciting when interrelated to each other, as one working group after another presented its notions. A passerby spoke, saying she was a city employee and how much, from her office in city hall towering menacingly above us, she admired what we were doing; how she didn’t care if she lost her job for supporting this occupation, our common renovation of space and life. A woman who was participating in this teach-in stood up and gave a powerful oration, explaining (to paraphrase) that “capitalism not only creates class but is a class. We don’t want that school anymore; we want a different university. It involves just showing up. We’re making our own university; learning what we want; we’re making our own classes. And there are plenty of rooms in our university.” She then advocated that everyone the world over should form an “occupy everything union,” in which “we are all card-carrying members of occupy everything,” a union from which we “work” to make our own commons, continually, such as we began to do, with such excitement, in this workshop. Another person who got caught up in the dialogue as he wandered past, pointed to the four big sheets of ideas now hanging from the jagged concrete of the fountain, and said, “Why aren’t we taking these ideas and turning them into a plan, making them a solution, making them happen?”

Why indeed not? Or maybe, to put my posi spin on it, “We are indeed doing so.” Little by little, here on our haphazard and organic commons-in-gestation, we’re testing out notions of life held in common. Those who’ve stepped in of late—from authoritarian leftists to a new wave of liberals to mainstream media—can’t see the forest for the trees (or the beauty within this concrete plaza).

A couple days ago, I attended a “radical caucus,” and most of the nonlibertarian leftists (that is, to put it bluntly, those who want to “push” movements in their own direction and then control them) talked about how people on this plaza weren’t talking about politics, weren’t doing anything, weren’t anticapitalist. For sure, many people don’t understand themselves as opposed to capitalism per se—although many do, implicitly and explicitly. Yet it matters little to me in this occupation whether the occupiers use that language or not. Just as I don’t care that we have words like “commons,” now or eons ago, for what we’re doing. I said this in another piece: this is my own unlearning and relearning process in what’s a new type of social uprising. It seems almost immaterial that people self-identify as radical, anarchist, socialist, anticapitalist. Because materially, pragmatically, on the ground, and most poignantly in their changed selves and changed hearts, they are behaving in ways that defy the logic of capitalism, defy the logic of privatization and even “public.” They are acting politically in the most liberatory sense of the world “politics”: deciding the world for themselves; taking power collectively in the name of values such as cooperation, solidarity, sharing, and dignity. And as hokey as it sounds: love of humanity, in a way that sees people for their worth (as one of my working group comrades said last night, he used to be homeless, which made him invisible as a person; here, the many homeless people are now housed are also part of the food, safety, comfort, and other working groups, as people.) We are doing something, and that something is huge—perhaps one of the few direct actions that can truly, if increasingly propagated beyond our occupation, undo this awful world and let us remake something worth calling life (as in the “I’ve never felt this alive” sentiment): we are crafting, all over Dilworth Plaza, multiple commons of commons.

Or as the occupiers of Tahrir wrote today in the (UK) Guardian to the occupy movement: “So we stand with you not just in your attempts to bring down the old but to experiment with the new. We are not protesting. Who is there to protest to? What could we ask them for that they could grant? We are occupying. We are reclaiming those same spaces of public practice that have been commodified, privatised and locked into the hands of faceless bureaucracy, real estate portfolios and police ‘protection.’ Hold on to these spaces, nurture them and let the boundaries of your occupations grow. After all, who built these parks, these plazas, these buildings? Whose labour made them real and livable?”

For those who are doing & making in our occupied plaza, and for those who are listening & dialoguing in the plaza and beyond, and for those who want to join in & self-organize (please do!): Even if our Philly occupation meets the same crass and cruel riot-cop fate that assaulted Occupy Oakland and Oscar Grant Plaza this morning [and now, into this evening], we will carry this commons in our heart, and our hearts will supply the energy for other commons elsewhere.

For audio of the teach-in and report back during it, go here.

Photos: “Private, Public, Commons” Teach-in photos by Dave Onion; pictures of signs from Occupy Philly today by Cindy Milstein.

"The Loss of Josh" - On Veteran's Day 2011, #OccupyBurlington Reflects on Yesterday's Tragedy

Fri, 11/11/2011 - 5:33am
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OWS

Our hearts and minds are with #OccupyBurlington and all of our U.S. combat veterans today. As we reflect on the meaning of the "Loss of Josh," and the larger implications of living in the U.S. of Empire, this GOOD magazine article points out that, for two years running, more U.S. combat vetans have died from suicide than in actual combat - a sobering stat for this Veteran's Day. Whether or not Josh meant to take his own life still appears to be an open question, according to VTDigger. Certainly, from eye-witness accounts, the Iraqi War vet was "troubled."

STATEMENT ON LOSS OF JOSH FROM #OCCUPYBURLINGTON, VERMONT.

Today, November 10th at 2pm, Josh, a valued member of Occupy Burlington and the houseless community, took his own life at the encampment. We want to take this moment to offer our thoughts and condolences to Josh's family, and to the members of the Occupy community who got to know Josh over the last two weeks.

The thoughts and prayers of everyone in the encampment are with his friends and family. We appreciate the support we have received from the Burlington community, the country, and the world. We ask for everyone’s continued support and solidarity as we deal with this tragedy.

From the first day of the encampment, we have welcomed all members of the community by providing anyone in need with food, shelter, and social support. Despite our best efforts to provide care and support to all members of the community, occupations are not equipped with the infrastructure and resources needed to care for the most vulnerable members of our community. The lack of resources to care for those in need was brought to the attention of Burlington city leaders. Unfortunately, our plea for assistance was not heeded in time to help Josh.

This tragedy draws attention to the gross inequalities within our system. We mourn the loss of a great friend tonight, while discovering an ever-deeper resolve to stand with our most vulnerable citizens. The failure to provide citizens with adequate and accessible physical and mental healthcare is one of the many issues this movement is fighting for.

Again, our thoughts and prayers are with everyone reeling from this loss and we deeply appreciate everyone who has offered support, compassion, and solidarity. It is our hope that this tragedy will serve as a rallying cry for occupations around the country to continue the fight for system change.

In Solidarity,
Occupy Burlington

A State Bank for Vermont? Changing the Way Money Works (Part 1)

Thu, 11/10/2011 - 10:36am
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"Until we change the way money works, we change nothing." - Michael Ruppert

We've been championing a publicly-owned Vermont State Bank for years now. The State of Vermont, in other words, could do business as the Bank of Vermont. In this helpful video series, Marilyn Barnewell shows us why and how to make it happen.

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